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Luckily, those shows are becoming less and less, which is nice. It's a lot harder to get that message across when you're playing through noise, and not much attention is focused on what you're doing or trying to say. They see me and I see them in a different way than just at a glance.

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Who knows what other cities I'll have the chance to play in, or how many people will see the incredible videos they film.Īpply for free by Jto play a Sofar Sounds show in Boston this winter!ĭo you usually aim to perform in intimate settings with especially attentive audiences like Sofar Sounds since it's just you up there?įor me, there's an exchange of communication with the audience that is indescribable in an intimate setting when people are showing their respect.

Because of that, I also had the pleasure of performing for Sofar Newcastle, Sheffield, and Cambridge on my UK tour in May of this year. The music I make thrives in listening environments, and Sofar Sounds is truly defining the movement around the world with all of the volunteers who present, host, and attend the amazing intimate shows they put on. I've gotten my foot in the door several times just using my online EPK as a reference when I'm booking gigs and tours.īut one I was afforded through the opportunities on the site was with Sofar Sounds in Boston last April.

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I have access to major avenues of promotion for my music, and I can display it in a professional way behind a company that every major festival uses for their solicited applications. I'd say that Sonicbids offers more than any other musical platforms I've seen out there, and they seem to work with everyone in the business. With no bandmates or team to help you secure gigs, how has Sonicbids helped you fill in the gaps? What's the most memorable opportunity you've gotten so far? But I'm learning to share the vision and finding the balance of not feeling like I need to do everything forever. So for me, the musical vision is a big part of who I am and the decisions I make, which makes creative control a must. I'm a pretty independent and convictive person about my growth by nature with whatever passion I'm after. To me, it's definitely more meaningful than if someone else were to do it for me. There are probably a lot more personal rewards and growth in character.

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On the other hand, what do you find the most rewarding about leading your own solo project? Do you find you work best when you have full creative control? But I suppose everything has its place in time. Sometimes I think when I'm doing something seemingly tedious but necessary that it could be spent by completing a more important task. It's certainly more difficult when you don't have a team behind you to push the line even further.

Standing out as a DIY musician takes a lot of good old word of mouth, chances, and opportunities, as well as time and experience, of course. I think there are plenty of platforms to get your music out there, so making your music available isn't the hard part. Below, Williams shares his tips for filling the stage as a solo artist and how he's been so successful in self-managing his music career.Īs a one-man band, do you feel like it's challenging to get your music out there? He not only entertains large crowds solo at 180 shows per year, but he's the one responsible for controlling his creative vision. If you're a solo act – whether you're a singer-songwriter with a guitar or a DJ with a laptop – it takes a great deal of independence and self-motivation to stand out. So, how do you manage to book tours and land gigs on the big stages as a one-man band? Well, folk artist Whetherman – the stage name of guitarist, producer, and vocalist Nicholas Williams – has certainly figured out what it takes to get his music out there on his own.

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